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HOT !ALEXIS MABILLE MARC CAIN (Germany) 70s Crepe Weave Peaked Lapel

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28.50 USD

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      Detailed information of ALEXIS MABILLE MARC CAIN (Germany) 70s Crepe Weave Peaked Lapel

      Item specifics

      Condition
      Pre-owned - Good
      Seller Notes
      “70s Vintage (mint condition)”
      Brand
      MARC CAIN (Germany)
      Outer Shell Material
      Viscose Blend
      Size Type
      Regular
      Department
      Women
      Type
      Jacket
      Size
      S
      Color
      Black
      Style
      Dinner Jacket
      MPN
      Azzedine Alaïa, Yves Saint Laurent, Ralph Derosa, Hervé Léger, Erdem, Rochas, Christian Dior, Alexis Mabille, Balmain, Givenchy, Jenny Packham, Roksanda, Giambattista Valli, Roland Mouret, Zuhair Murad, Tom Binns
      Fabric Type
      Crepe
      Country/Region of Manufacture
      Germany
      Vintage
      Yes

      Item description from the seller

      Condition:
      Pre-owned - Good
      70s Vintage (mint condition)
      Shipping:
      May not ship to Iran. Read item description or contact seller for shipping options.
      Located in: Berlin, Germany
      Delivery:
      Varies
      Returns:
      Seller does not accept returns.
      SUNDAZED & OUTSIDE SOCIETY Vintage (mint condition) Tag: 2 Size: S Color: Black Fabric: Crepe Material: Viscose Blend Composition: 55% Viscose 45% Acetate Measurements (cm): Chest: 42 Length: 57 Shoulder: 39 Sleeve: 54 Hem: 42 Azzedine Alaïa’s legacy in tailoring is evident in the structured elegance of this jacket, with a focus on sculptural form and fitted precision. The cropped silhouette follows his philosophy of creating garments that contour the body, emphasizing the waist with a sharp yet controlled flare at the hem. The peaked lapels, slightly exaggerated, evoke his signature architectural approach, reminiscent of his late '80s and early '90s designs that played with volume and impeccable draping. The sharpness of the tailoring recalls Yves Saint Laurent’s Le Smoking tuxedo, a revolutionary piece that transformed menswear-inspired formalwear for women. This jacket nods to that heritage with its satin-faced lapels, recalling the silk rever of YSL’s signature tuxedo jackets, but with a softened femininity due to the crepe weave’s slight texture. Ralph Derosa, a brand historically associated with intricate detailing, finds relevance in the minimal-yet-decorative contrast between the matte crepe body and the subtly lustrous satin lapels, creating a tonal interplay that suggests understated luxury. Hervé Léger’s body-conscious aesthetic translates here through the controlled proportions of the jacket, as the fitted waist and flared hem create a shape-enhancing optical illusion. Erdem’s penchant for refined yet slightly dramatic tailoring aligns with this piece’s balance of restraint and theatricality, particularly in how the peak lapels act as a visual anchor for the garment. Rochas’ history of elegant eveningwear aligns with the formal yet modern approach of this cropped dinner jacket, which can transition from structured tailoring to soft drapery when paired with a bias-cut skirt or wide-legged trousers. Christian Dior’s influence is evident in the shaping—especially in the architectural waist nipping and the slight tailcoat-inspired back vent, which reference the Bar Jacket’s defining features, albeit in a more restrained contemporary interpretation. Alexis Mabille, known for his fusion of haute couture techniques with modern femininity, would likely craft a similar silhouette with softer satin-backed crepe, playing up the contrast even further. Balmain’s sharp, power-driven tailoring ethos is apparent in the peak lapel construction and strong shoulder stance, reinforcing a confident yet refined aesthetic. Givenchy’s mastery of understated yet razor-sharp formalwear is echoed in the jacket’s careful balance of structure and fluidity, with precise seam placement ensuring a sculpted fit. Jenny Packham’s alignment comes from the piece’s compatibility with eveningwear—if adorned with jet bead embellishments or subtle embroidery, it could easily belong in her repertoire of modernized formal tailoring. Roksanda’s appreciation for geometric precision is reflected in the cropped length, which disrupts traditional proportions, making it an unconventional yet versatile evening jacket. Giambattista Valli’s feminine tailoring techniques manifest in the way the lapels create a visual elongation of the neckline, drawing the eye upward in a way that enhances posture and poise. Roland Mouret’s sharp yet sensual approach to structure aligns with how this jacket sits on the body, sculpting it without excess rigidity, maintaining a sense of movement. Zuhair Murad, known for his meticulous construction of eveningwear, would likely interpret this design with a sheer panel insert or intricate tonal embroidery to amplify the luxurious effect. Tom Binns’ irreverent approach to classicism is an interesting comparison here—if this jacket were to be styled with avant-garde costume jewelry, it would take on a completely different persona, shifting from refined minimalism to statement-making couture. This jacket ultimately embodies a harmonious fusion of contemporary structure and timeless eveningwear codes, balancing a strict architectural silhouette with soft, feminine elements. Its execution aligns with a lineage of designers who prioritize precision tailoring while adapting classic elements for the modern wearer. The interplay between matte and shine, sharpness and fluidity, and form and function allows this piece to sit comfortably among the offerings of these selected designers while maintaining a distinct identity.
      • ALEXIS MABILLE MARC CAIN (Germany) 70s Crepe Weave Peaked Lapel
      • ALEXIS MABILLE MARC CAIN (Germany) 70s Crepe Weave Peaked Lapel

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